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Home / What Is the Tasks of Art Historian Griselda Pollock

What Is the Tasks of Art Historian Griselda Pollock

Griselda Frances Sinclair Pollock[1] (born 11 March 1949)[2] is an art historian and cultural analyst of international, postcolonial feminist studies in visual arts and visual civilization. Since 1977, Pollock has been an influential scholar of modern art, avant-garde art, postmodern art, and contemporary art. She is a major influence in feminist theory, feminist art history, and gender studies.[3] She is renowned for her innovative feminist approaches to art history which aim to deconstruct the lack of appreciation and importance of women in art equally other than objects for the male gaze. [4]

Pollock conducts various studies that offering concrete historical analyses regarding the dynamics of the social structures that cause the sexual political environment within art history. Through her contributions to feminism, Pollock has written various texts exclusively focused on women in order to intentionally drift away from traditional art history, which concentrated primarily on the work of male person artists due to its inherently sexist undertones. Pollock's initiative enabled long overdue exposure and appreciation needed for many female person artists such as Mary Cassatt, Eva Hesse, and Charlotte Salomon.[4] Her theoretical and methodological innovations which were first released up to three decades ago such equally the ones on her volume Vision and Difference 1988, are still influential and studied till this 24-hour interval since many of her remarks employ to modern day gimmicky concerns such as the political subtexts that women are still portrayed with in ad.[3] [four]

Life and work [edit]

Pollock was built-in in Bloemfontein, S Africa to Alan Winton Seton Pollock and Kathleen Alexandra (née Sinclair),[1] [4] Griselda Pollock grew up in both French and English Canada. Moving to United kingdom of great britain and northern ireland during her teens, Pollock studied Modern History at Oxford (1967–1970) and History of European Fine art at the Courtauld Found of Art (1970–72). She received her doctorate in 1980 for a written report of Vincent van Gogh and Dutch Art: A reading of his notions of the modern. After teaching at Reading and Manchester universities, Pollock joined the University of Leeds in 1977 as lecturer in History of Art and Picture and was appointed to a Personal Chair in Social and Disquisitional Histories of Fine art in 1990. In 2001, she became Manager of the Heart for Cultural Analysis, Theory and History at the University of Leeds, where she is Professor of Social and Disquisitional Histories of Art.[5] She was awarded an honorary doctorate by the Courtauld Institute in 2019,[half dozen] and delivered the graduation speech.[vii] The Estonian Academy of Fine art as well awarded her an Honorary Doctorate in 2019 and gave a keynote lecture: "Why do we still beloved Vincent?"[8] [nine] [10] On March 5, 2020, Pollock was named as the 2020 Holberg Prize Laureate "for her groundbreaking contributions to feminist art history and cultural studies."[11]

Art history [edit]

Pollock's interest and interest in the women's movement motivated her to create change in the world of fine art history and its perception of women. This modify was attempted past many researchers before her was only possible due to her innovative approaches observed in her volume Vision and Deviation, 1988. In this volume, she identifies the earth's political organisation to exist the main issue with women's depiction. She does this by explaining the relationship between systems of representation and credo which, in plough, divulge the visual language used by political advertising to draw women in social club. The knowledge of these strategies of representation brought the possibility for feminist activists to implement the alter necessary to the construction of women in art and as seen today, in society in general.[4]

Her work challenges mainstream models of art and art history that take previously excluded the role of women in art. She examines the interaction of the social categories of gender, class, and race, crucially researching the human relationship between these categories, psychoanalysis, and fine art, drawing on the work of such French cultural theorists as Michel Foucault. Her theorization of subjectivity takes both psychoanalysis and Foucault's ideas well-nigh social control into account. [12]

A range of concepts developed by Pollock which serve to theorize and practice critical feminist interventions in art'due south histories are: old mistresses, vision and difference, advanced gambits, generations and geographies, differencing the canon and most recently, the virtual feminist museum.

Cultural studies and cultural analysis [edit]

Pollock is the founding director of the Centre for Cultural Analysis, Theory, and History at the Academy of Leeds. Initiated with a grant from the then AHRB in 2001, CentreCATH is a transdisciplinary projection connecting fine art, histories of art and cultural studies across the shared engagements with class, gender, sexuality, post-colonial critique, and queer theory. In 2007, with Max Silverman, Pollock initiated the research project "Concentrationary Memories: The Politics of Representation", which explores the concept of an anxious and vigilant form of cultural retention analyzing the devastating effects of the totalitarian assault on the human being condition and alert to the persistent not only of this perpetual threat simply is invasion of pop civilization. The project explored the forms of aesthetic resistance to totalitarian terror. 4 edited collections take been produced: Concentrationary Movie theater: Aesthetics and Political Resistance in Night and Fog past Alain Resnais Winner of 2011 Fraszna-Krausz Prize for All-time Book on the Moving Image (London and New York: Berghan 2011); Concentrationary Memory: Totalitarian Terror and Cultural Resistance (London: I B Tauris, 2013), Concentrationary Imaginaries: Tracing Totalitarian Violence in Pop Culture (London: I B Tauris ,2015) and Concentrationary Art: Jean Cayrol, the Lazarean and the Everyday in Post-state of war Movie, Literature, Music and the Visual Arts (Berghahn, 2019) (2019).[13]

Publications [edit]

  • Millet, London: Oresko Books, 1977.
  • (with Fred Orton) Vincent van Gogh: Artist of his Fourth dimension, Oxford: Phaidon Press, 1978; Usa-edition: E. P. Dutton ISBN 0-7148-1883-half dozen. Edited and re-published in: Orton & Pollock 1996, pp. 3–51
  • (with Fred Orton) "Les Données Bretonnantes: La Prairie de Représentation", in: Art History Iii/3, 1980, pp. 314–344. Reprinted in: Orton & Pollock 1996, pp. 53–88
  • Mary Cassatt, London: Jupiter Books, 1980
  • "Artists mythologies and media genius, madness and art history", in: Screen XXI/iii, 1980, pp. 57–96
  • Vincent van Gogh in zijn Hollandse jaren: Kijk op stad en state door Van Gogh en zijn tijdgenoten 1870–1890, exh. true cat. Amsterdam, Rijksmuseum Vincent van Gogh, 1980/1981 (no ISBN)
  • Former Mistresses; Women, Fine art and Ideology, London: Routledge & Kegan (Griselda Pollock with Rozsika Parker), 1981. Reissued by I.B. Tauris in 2013.
  • (with Fred Orton) "Cloisonism?", in: Art History V/three, 1982, pp. 341–348. Reprinted in: Orton & Pollock, 1996, pp. 115–124
  • The Journals of Marie Bashkirtseff, London: Virago (newly introduced with Rozsika Parker), 1985.
  • Framing Feminism: Art & the Women' s Movement 1970–85 (Griselda Pollock with Rozsika Parker), 1987.
  • Vision and Divergence: [Femininity, Feminism, and Histories of Fine art], London: Routledge, and New York: Methuen, 1987.
  • "Inscriptions in the Feminine". In Catherine de Zegher (ed.), Within the Visible. MIT, 1996. 67–87.
  • Bureau and the Avant-Garde: Studies in Authorship and History by Way of Van Gogh, in Block 1989/15, pp. 5–15. Reprinted in: Orton & Pollock 1996, pp. 315–342
  • "Oeuvres Autistes." In: Versus 3, 1994, pp. xiv–xviii
  • (Edited with Richard Kendall)Dealing with Degas: Representations of Women and the Politics of Vision. London: Pandora Books, 1992 (now Rivers Oram Press).
  • Avant-Garde Gambits: Gender and the Colour of Art History, London: Thames and Hudson, 1993.
  • "Trouble in the archives". Differences: A Journal of Feminist Cultural Studies. Duke University Press. iv (3). 1992. OCLC 936734168.
  • (Edited), Generations and Geographies: Critical Theories and Critical Practices in Feminism and the Visual Arts, Routledge, 1996. ISBN 0-415-14128-ane
  • (with Fred Orton) Avant-Gardes and Partisans Reviewed, Manchester University Press, 1996. ISBN 0-7190-4398-0
  • The Ambivalence of Pleasure, Getty Fine art History Oral Documentation Projection, interview by Richard Cándida Smith, Getty Research Plant, 1997.
  • Mary Cassatt Painter of Modern Women, London: Thames & Hudson: World of Fine art, 1998.
  • (Edited with Richard Thomson), On not seeing Provence: Van Gogh and the landscape of alleviation, 1888–1889, in: Framing French republic: The representation of landscape in France, 1870–1914, Manchester University Press, 1998, pp. 81–118 ISBN 0-7190-4935-0
  • Aesthetics. Politics. Ideals Julia Kristeva 1966–96, Special Issue Guest Edited parallax, no. 8, 1998.
  • Differencing the Canon: Feminism and the Histories of Art, London: Routledge, 1999.
  • Looking Back to the Future: Essays past Griselda Pollock from the 1990s, New York: G&B New Arts, introduced past Penny Florence, 2000. ISBN 90-5701-132-8.
  • (Edited with Valerie Mainz), Work and the Image, 2 vols. London: Ashgate Printing, 2000.
  • Vision and Departure: Feminism, Femininity and the Histories of Art (Affiliate i: Feminist interventions in the histories of art: an introduction, Chapter 3: Modernity and the spaces of femininity), Routledge Classics, 2003.
  • (Edited), Psychoanalysis and the Paradigm, Boston and Oxford: Blackwell, 2006. ISBN i-4051-3461-five
  • A Very Long Appointment: Singularity and Difference in the Disquisitional Writing on Eva Hesse in Griselda Pollock with Vanessa Corby (eds), Encountering Eva Hesse, London and Munich: Prestel, 2006.
  • (Edited with Joyce Zemans), Museums later Modernism, Boston: Blackwells, 2007.
  • Encounters in the Virtual Feminist Museum: Fourth dimension, Infinite and the Archive, London: Routledge, 2007. ISBN 978-0-415-41374-9
  • (Edited, with Victoria Turvey-Sauron), The Sacred and the Feminine, London: I.B. Tauris, 2008.
  • "Opened, Closed and Opening: Reflections on Feminist Teaching in a Uk Academy". North.paradoxa. KT Press. 27: twenty–28. July 2010.
  • Digital and Other Virtualities: Renegotiating the Image, edited by Griselda Pollock and Antony Bryant, I.B. Tauris, 2010. 9781845115685.
  • After-effects/Afterward-images: Trauma and aesthetic transformation in the Virtual Feminist Museum, Manchester: Manchester University Press, 2013. 978-0-7190-8798-ane
  • Pollock, Griselda (September 2016). "Is feminism a trauma, a bad memory, or a virtual time to come?". differences: A Journal of Feminist Cultural Studies. Knuckles Academy Press. 27 (2): 27–61. doi:10.1215/10407391-3621697.
  • Charlotte Salomon and the Theatre of Memory, Yale University Press, 2018. ISBN 978-0-300-10072-iii.
  • Bracha 50 Ettinger, Matrixial Subjectivity, Aesthetics and Ideals edited past Griselda Pollock. Palgrave MacMillan, 2020.978-ane-137-34515-8

See also [edit]

  • Art history
  • Avant-garde
  • Gender studies
  • Feminist art movement in the United States
  • Feminist moving-picture show theory
  • Feminist theory
  • Film theory
  • Cultural studies
  • Women'south history

References [edit]

  1. ^ a b The International Who'southward Who of Women; 3rd ed.; ed. Elizabeth Sleeman, Europa Publications, 2002, p. 453
  2. ^ "Birthdays", The Guardian, p. 33, eleven March 2014
  3. ^ a b UCL History of Art: Griselda Pollock – Making Feminist Memories – Part 1 , retrieved 11 December 2021
  4. ^ a b c d e Griselda Pollock'due south Vision and Departure. Macat Library. 21 February 2018. doi:x.4324/9781912284795. ISBN978-1-912284-79-five.
  5. ^ Griselda Pollock, Looking Back to the Future (London: Routledge, 2001) p. 363.
  6. ^ "Griselda Pollock and Daniella Grand duchy of luxembourg awarded honours past The Courtauld Institute of Fine art". The Courtauld Institute of Fine art. 22 July 2019.
  7. ^ "Professor Griselda Pollock: Graduation Spoken communication 2019". The Courtauld Establish of Fine art. Archived from the original on 10 November 2019.
  8. ^ "EKA 105 open lecture: Griselda Pollock – Estonian Academy of Arts". Estonian Academy of Arts. 28 October 2019. Retrieved 27 June 2020.
  9. ^ "Video". www.youtube.com. Archived from the original on 21 Dec 2021. Retrieved 27 June 2020.
  10. ^ Kunstiakadeemia, Eesti (2 November 2015). "Griselda Pollock thirty.04.2013" – via Vimeo.
  11. ^ "2020 Holberg Prize and Nils Klim Prize Laureates Announced". holbergprisen. 5 March 2020. Retrieved 5 March 2020.
  12. ^ Yefimov, Alla (March 1990). "Feminist Interventions, Shifting Terrains: An Interview with Griselda Pollock". Afterimage. 17 (8): eight–eleven.
  13. ^ AHC. "Prof. Griselda Pollock | Schoolhouse of Fine art, History of Art and Cultural Studies | University of Leeds". ahc.leeds.air-conditioning.great britain . Retrieved xi December 2021.

External links [edit]

  • Personal page at the Academy of Leeds Website
  • Interview in Documenta Magazine
  • On Psychoanalysis and the Paradigm Archived 27 July 2013 at the Wayback Machine
  • Griselda Pollock discusses the life and piece of work of artist Charlotte Salomon Griselda Pollock on Charlotte Salomon
  • UCL History of Art: Griselda Pollock – Making Feminist Memories – Role 2 Griselda Pollock on Helen Rosenau at UCL
  • UCL History of Art: Griselda Pollock – Making Feminist Memories – Part ane
  • Marilyn Monroe | La donna oltre il mito – Griselda Pollock Griselda Pollock on Marilyn Monroe Exhibition in Turin
  • Son[i]a #254. Griselda Pollock | Radio Web MACBA | RWM Podcasts Conversation with Griselda Pollock about her involvement in the Women's Movement in England in the seventies, and about the points of convergence between feminism and art history.
  • Bow Down: Women in Art Downwardly: Women in Art (Frieze) Podcast on VERA FRENKE
  • The Dandy Women Artists: Griselda Pollock on Alina Szapocznikow on Apple Podcasts Griselda Pollock talking to Katy Hessel on Alina Szapocznikow

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Source: https://en.wikipedia.org/wiki/Griselda_Pollock